A4 Kids City — a kids' career-play city site under the Vlad A4 brand
Rebuilt the site for a kids' career-play park as part of a rebrand into YouTube blogger Vlad A4's brand: carried the blogger's bold identity into a calm, multi-page site that drives the park's main flow of bookings. 15+ seasonal landing pages, a unified visual system, built on Tilda. Sole designer of the site.
Context and task
A4 Kids City is a kids' career-play city in Moscow: dozens of locations where children role-play different professions. The park changed its brand, moving under the name of Vlad A4, the biggest YouTube blogger in the CIS (90M+ subscribers). Under the new brand, the site needed an update and the venue needed new visuals.
On the client's side, the input was a brief and a rough structure. All the visual and interface work was on me: blocks, formats, illustrations, navigation. The site's audience is parents choosing where to bring their kid for a birthday, a holiday event, a field trip, or a membership.
My role
Sole designer of the site. At first, at the YŪGA VISION studio: I had an illustrator on call and an art director who signed off decisions before they went to the client. Since November 2024 I've run the park directly, working closely with the marketing and sales teams.
I was responsible for the whole site: structure, block design, responsive layout, building it on Tilda. I often did the illustrations too — through AI tools and by reusing the identity system. In parallel I worked on the physical venue's signage.
Key decisions
Brought the A4 brand into the site without making it garish.
The blogger's identity is loud video thumbnails and product packaging; carrying those techniques over directly wasn't an option. The site's foundation became a light background and white cards — the brand's brightness lives in the illustrations, buttons, and accents layered on a calm base. Where a block needed contrast — the "About the park" page, graduation and birthday pages — I brought in colored backgrounds from the brand palette and adapted the illustrations to fill them. The recognizability stayed intact, and the interface reads easily.
Moved bookings onto Tilda's built-in forms.
The park collected event bookings through a third-party quiz-form service (Marquiz), connected back on the first version of the site in 2023. By 2025, Tilda's own forms had grown into full multi-step flows with complex logic. I moved bookings onto them: the park stopped paying for an extra subscription, and the form became part of the site itself — easier to maintain, with no dependency on an outside service. After the move, neither sales nor marketing had any questions about the flow of submissions — the switch went unnoticed by the business, exactly as intended.
Built the locations page and kept the audio guides.
Tilda had no ready-made solution for a page like this. I laid out each location as a card — photo, description — and added a filter by child's age. A separate task was the location audio guides from the old site: they couldn't be lost. I carried them over using an HTML-embed block: an HTML5 audio player linked to the files in the park's storage, built into each card.
Replaced the static hero with a manageable slider (on both parks).
Previously, the first screen had a static video with buttons — adding a promo or seasonal event was only possible through pop-ups and a scrolling banner. Together with the new marketing manager, I built a slider: the earlier hero versions were kept inside it, and on top of that, marketing can add and remove promos themselves — deals, gift certificates, seasonal offers. It scrolls automatically and manually, built for both desktop and mobile. To publish a new slide, you need 4–5 images at set sizes; I handed marketing those standards, and from there they ran the block themselves, without a designer. I applied the same approach to the news block: events, updates, SEO articles from the park's staff.
Not just the site — venue design too.
Alongside the site, I also design the physical environment of the park: signage, banners and posters for the venue, video backdrops for events — including New Year ones, with VK co-branding in mind. The same goes for the A4 VR Park venue.
Result
The site is the park's main booking channel: over three years (2023–2026, Tilda) — 1M+ sessions, 35.9K submissions, a 3.47% conversion to submission at ~85% mobile traffic. It's built for that flow: a mobile-first structure, in-site form bookings, and a self-service promo slider and news block for marketing.
The growth in audience itself is mostly a brand effect: the redesign launched alongside the park's move under the A4 name, and according to the park's data, the brand drove multiple-fold growth (its best revenue year was 2024). I credit myself not for the traffic, but for how the site receives and converts it, and for the park's unified visual system.
Reflection
The site was put together very quickly in 2023 on top of the old structure and then grew new pages over time. The "everything on the home page" concept — tickets, choosing an event, birthday packages, challenges, telling the park's story in one landing page — was inherited from the previous brand. Navigation is light as a result, but important things (deals, locations, photos) are spread across a long home page and don't stand out. Today I'd rebuild the structure and separate out the park's key messages more clearly.
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