A4 VR Park — a VR park site under the Vlad A4 brand (in partnership with VK)
Rebuilt the site for a multimedia VR park using a visual language I'd already developed for its presentations: instead of a first version built without a designer, a cohesive neon cyber style. Brought the two A4 parks together into one ecosystem with a shared menu switcher and cleaned up the package lineup. Sole designer of the site.
Context and task
A4 VR Park is a multimedia VR park in Moscow under the Vlad A4 brand, in partnership with VK. My work with the park started even before the site — with marketing presentations for the opening.
In parallel, in-house developers put together a first version of the site — without a designer and under time pressure: a dated look, jittery animations, a pale blue-and-cyan palette set as the brand color. I was asked to rebuild the site based on the visuals from my presentations and references.
My role
Sole designer of the site — working closely with the marketing and sales teams and illustrators. I developed the visual language and carried it from the presentations onto the site, rebuilt the site — from the home page to location pages and seasonal landing pages, designed the navigation and a unified menu for the two parks, and took part in product decisions on packaging services. Built on Tilda. I also did related work, down to video backdrops for events.
Key decisions
Rebuilt the site with its own visual language.
I kept the blue — partly because of VK — but reworked the pale palette of the first version into a neon cyber style with a direct association to VR and technology (neon, "Tron"). Together with the illustrator, we built the graphics for the new look. The interface became clean, but rich and technological.
A shared menu switcher for the two parks — the hardest decision.
The client asked for a simple way to switch between the Kids City and VR Park sites. Instead of a plain link, I proposed a shared menu: it holds the ecosystem together as a whole while leaving each park its own color, illustrations, details. Technically this was the hardest part of the project — the menu had to work on desktop (dropdowns), tablet, and in a mobile burger menu, carry two logos, a custom park switcher, addresses, and messenger icons. It stuck and became a working piece of both sites.
Cleaned up the package lineup.
Tickets and packages were sold every which way: items had no headings or grouping, and each department read them their own way — both visitors and the teams themselves got confused. I proposed a single taxonomy and set up a joint call with marketing and sales to sign off on it together:
- VR arena packages — the VR DAY lineup with tiers, from light to maximum;
- event packages — VR PARTY with tiers;
- packages for specific locations — RUN&TAG PARTY, LASER ROOM PARTY;
- a package for graduations and Knowledge Day — SCHOOL PARTY.
I kept naming and grouping consistent with Kids City, for the sake of the ecosystem's coherence.
Carried systemic solutions from Kids City over to VR Park.
The same self-service marketing slider and separate detailed pages for locations and events — so the home page wouldn't get crowded with everything at once. I factored in co-branding with VK: VK service logos on the map, in the layouts, and in the New Year video backdrop — several of the park's locations were built together with VK.
Custom interactivity where Tilda's defaults fell short.
I coded some elements myself with Claude: hero sliders on both parks' home pages and the expandable location cards for Kids City — a custom build on top of off-the-shelf modifications; for the New Year page, I built the cracking-ice card effect from scratch, using a mechanic from a game as reference. Details like these give pages a character you can't get from the builder out of the box.
Not just the site — venue design too.
Alongside the site, I also design the physical environment of the park: signage, banners and posters for the venue, video backdrops for events — including New Year ones, with VK co-branding in mind. The same goes for the A4 Kids City venue.
Result
Instead of a first version built without a designer, a cohesive site in one language with Kids City; I show the "before/after" comparison directly in the case — the full source file of the old version is still saved in my Figma. 236K sessions since December 2024 (Tilda).
The main result is that the two A4 parks read as a single ecosystem: a shared design system and a shared menu, while each brand keeps its distinct traits. And it's visible beyond the visuals: 79% of referral traffic to VR Park comes from the Kids City site — the switcher genuinely moves the audience between the parks.
I'm not claiming a conversion increase after the redesign: it landed right at a seasonal turn, and VR Park conversion is seasonal — crediting the effect to the design would be a stretch.
Reflection
Two things I'll name myself. First: the redesign didn't reach every page — some inner ones (birthdays, graduation, Game Arena) stayed in their previous form; I prioritized the home page, locations, and the pages with the most traffic. Second: the "all packages sold on the home page" concept was set by the client — here I was the executor; today I'd argue for separating the key messages onto their own pages, the way it's already done for locations and events. Those pages, by the way, I'm happy with — they're the most thoroughly worked out part of VR Park.
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